The essence of a rock'n'roll legend is rarely captured without a certain amount of glitter and noise, and "Elvis," a film directed by Baz Luhrmann, strides onto the cinematic stage bedecked in both. This movie attempts to recapture the tumultuous life of Elvis Presley, a cultural icon whose gyrations and crooning voice captured hearts worldwide. Despite a soaring ambition, "Elvis" performs akin to a well-intentioned cover band—energetic, imitative, but missing that inexplicable magic that made the King’s presence otherworldly.

The film's greatest asset is embedded in its casting choice—Austin Butler. Butler's portrayal is an electrifying homage to Presley, embodying not just the King’s swagger and voice but also the vulnerability of a man encased in a golden cage built by success and exploitation. Every shimmy and heartfelt ballad is a lyrical reminder of Presley's indelible influence in the beating heart of rock'n'roll.

Luhrmann, known for his flamboyant visual style, lends the story a tapestry of colors and cinematic moments that are as grandiose as Elvis's jumpsuits. Each swivel of the camera and cut mirrors the frenetic pace of Presley's life, from a meteoric rise to stardom to the entropic climax of his career and life. Yet, here lies the paradox—the film, much like Colonel Parker's management, often smothers the subtler notes of Presley's narrative under a spectacle that's both dazzling and dizzying.

The narrative unwinds through the gaze of Colonel Tom Parker, played with charismatic menace by Tom Hanks. Parker's control over Presley's career and the leech-like dependency are detailed, yet the exploration feels more superficial than surgical. The film's pacing mimics the fervor of a Presley concert, which, while thrilling, can leave you yearning for a moment of introspection—a lingering close-up on the man behind the myth.

"Elvis" thrills the senses but struggles to find a quiet corner to let its protagonist breathe—a flaw that keeps the film from reaching the greatness of its subject. The commentary on the star's exploitation gets swamped by the same-yet-different retellings of the tale and Luhrmann’s signature maximalist approach. What salvages the film from its own excess is the passion, a testament to Presley's enduring legacy that, despite the film's missteps, radiates through Butler's performance.

In a sea of biopics that attempt to dissect their subjects with surgical precision, "Elvis" opts for a bedazzled scalpel—cutting too quickly at times to delve deeply but doing so with an undeniable flair. It's a film that will leave toes tapping and heads shaking, with sequences that feel concurrently claustrophobic and too expansive, losing the rhythm in a symphony of extravagance.

As the credits roll on the film, much like in Presley's life, one is left with the sensation of a ride through glittering highs and crushing lows. "Elvis" earns a 7/10 for its audacious attempt to capture the chaos and charisma of a legend. It is a movie good to see for anyone chasing the nostalgia of bygone days of rock'n'roll, but it leaves the audience desiring a deeper, quieter introspection into the soul of Elvis Presley, much like the man himself yearned amidst the clamor of fame.