December 23, 2024

A Decent Start to a New Trilogy: Mortal Kombat's Punchy Beginnings

March 29, 2024
6/10

Striding into the arena of video game adaptations, the latest "Mortal Kombat" film throws its first punch with a determined, if not entirely polished, effort. Directed by Simon McQuoid, the 2021 iteration of this iconic video game franchise is like an uppercut that's just slightly off the mark—it lands, but doesn't quite deliver the knockout fans may have been hoping for. My review settles with a score of 6 out of 10, a solid "ok, not bad" tap on the health bar of cinema.

The opening sequence is a promise of the film's potential, setting a historical backdrop that grips you with its frosty tension between two of the franchise's most notorious characters, Sub-Zero and Scorpion. The choreography here is almost poetic, striking contrast to the otherwise brutal and fatalistic nature that "Mortal Kombat" is known for. This serves as a robust appetizer to the main course, where our underdog protagonist comes into play.

Cole Young, portrayed by Lewis Tan, is a relatable character. He's a fighter both in and out of the ring—a struggler in life, battler of fate. His amiable underdog status may resonate with many, but the character development seems to stagger and grope for depth at times. Likely intentional, to ensure his arc unfolds more gratifyingly over the trilogy, it nonetheless leaves us peckish for more substance in this foray.

Sub-Zero, played by the impeccably cool Joe Taslim, is a standout—a cold, menacing force throughout the movie. His chilling presence is as sharp as the icicles he conjures. His hunt for Cole threads a needle of tension through the movie's fabric, crafting a narrative that, while not overly complex, keeps the audience on the edge of their frostbitten seat.

When we delve into the nitty-gritty of the fight for the universe, we're introduced to a shouty assemblage of characters who seem to have walked straight out of the game screen. This includes the gutsy Sonya Blade, the hardened Jax, the charismatic rogue Kano, and spiritual warriors Liu Kang and Kung Lao.

Kano, played by Josh Lawson, is a chewy piece of comic relief in an otherwise earnest ensemble, delivering cheeky lines with a devil-may-care grin. His performance jabs at the fourth wall with a wink and punchline, highlighting the film's self-awareness amidst a rather traditional hero's journey.

The training montages and the build-up to the climactic fights offer nostalgia, but they're like old console games that don't quite adapt perfectly to the latest system. There's a glimmer of excellence, especially in the reverence to signature moves and "fatalities" which die-hard fans will appreciate, yet the connectivity between these set pieces fluctuates in engagement.

Visually, the film delivers a decent high kick. CGI and practical effects intermingle with fluidity, giving life to the fantasy elements of "Mortal Kombat"—the otherworldly powers, the gruesome, yet captivating "fatalities," and the majestic sceneries of the temple of Lord Raiden. However, while the aesthetics are stunning in moments, they can sometimes feel as though they are masking narrative simplicity rather than enhancing it.

Its ending, without revealing too much, mirrors its beginning—setting the stage for what's to come next. Cleverly, it teases a continuation without feeling like an abrupt "To be continued…" screen, though we're left with lingering questions and a list of who's-next that might summon excitement or wariness.

In conclusion, "Mortal Kombat" may not throw a flawless victory in terms of storytelling and character development, but for those seeking a faithful translation of video game to screen, coupled with fight sequences that are viscerally satisfying, it's a match worth watching. It lays its foundations with a solid 6/10—a foundation I remain curious to see built upon as the "Mortal Kombat" saga continues.

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